George Saunders Gives Advice

In May, 2005, The Believer launched Sedaratives, an advice column helmed by Amy Sedaris that soon featured a cast of guest advisers—writers, producers, actors, and comedians—who, every month, were given a selection of questions that ranged from the poignant to the, well, not:

My mother says that nobody has good manners anymore. This coming from a woman who fucked three strangers at Woodstock. Does her moral grandstanding carry any weight at all?

Is there a manly way in which to eat cotton candy? If so, I’d like to find out what it is.

I’m looking for a book that I can read on the subway and it’ll make all the other commuters look at me with envy, and possibly even think, “Good god, he must be so much smarter than the rest of us I bet he’s got his life together. I want to be his friend.” Any recommendations?

Such are the quandaries in “Care to Make Love in That Gross Little Space Between Cars?,” the second collection of the Sedaratives columns, which includes advice from, among others, Louis C.K., Zach Galifianakis, Dave Eggers, Julie Klausner, Sam Lipsyte, and George Saunders. Saunders’s answer to that question of what book to read on the subway gave the collection its title. Recently, he took the time to discuss advice columns, beehive hairdos, and creepy stares; an edited version of the exchange appears at newyorker.com.

Lucy Worsley and the History of the British Home

In the November 21, 2011, issue of the magazine, Lauren Collins wrote about Lucy Worsley, the chief curator at Historic Royal Palaces, which runs the Tower of London, Kensington Palace, Hampton Court Palace, Kew Palace, and the Banqueting House at Whitehall. “In a land of ponderous dons who go by their initials, Dr. Lucy, a thirty-seven-year-old bluestocking with a barrette, has caused a sensation,” Collins wrote. “She is an unembarrassed disciple of a school of history known as experimental archeology—or as she calls it, ‘dressing up and trying things out’—which uses artifacts to channel the physical experience of everyday life in another era.” In the line of duty, Worsley has made a Victorian bed (it took half an hour), roasted all manner of animals, waded through nineteenth-century sewers, trained a dog to turn a roasting spit, and tested urine as a stain remover.

Worsley’s most recent project is the book/BBC television series “If Walls Could Talk: An Intimate History of the Home,” which focusses on the four rooms—bedroom, bathroom, living room, and kitchen—that lend to an understanding of both British history and the evolution of its culture. Worsley recently took the time to answer some questions on British homes and their histories; an edited version of the exchange appears at newyorker.com.

Dear Sugar = Cheryl Strayed

On March 11, 2010, an anonymous writer introduced herself as the new voice of “Dear Sugar,” an advice column on the Web site the Rumpus. Sugar claimed she would offer a combination of “the by-the-book common sense of Dear Abby and the earnest spiritual cheesiness of Cary Tennis and the butt-pluggy irreverence of Dan Savage and the closeted Upper East Side nymphomania of Miss Manners,” but soon proved to be something entirely her own: an advice columnist who spoke through frank personal experience, one whose responses went from advice to essay and back again. In The New Republic, Ruth Franklin called her “the ultimate advice columnist for the Internet age, remaking a genre that has existed, in more or less the same form, since well before Nathanael West’s acerbic novella ‘Miss Lonelyhearts’ first put a face on the figure in 1933.”

Over the next two years, Sugar’s fans—a devoted readership that includes more than fifteen thousand Facebook and Twitter followers—learned bits about who she was. She was a she. She had lost her mother far too early. She had children, a husband, student-loan debt, and a seemingly inexhaustible supply of open-minded, honest advice. Her responses covered jealousy, the decision to have (or not have) children, drug addiction, and the unanswerable questions of life. On Tuesday night, at a coming-out party in San Francisco, Sugar formally introduced herself as Cheryl Strayed, a writer living in Portland whose new memoir, “Wild,” will be the Rumpus Book Club’s pick for March. She recently took time to answer questions on anonymity, intimacy, and her relationship with her readers. An edited version of the exchange appears at newyorker.com.

Olive Oil’s Dark Side

In the August 13, 2007, issue of the magazine, Tom Mueller wrote about corruption in the olive-oil trade. By the late nineteen-nineties, olive oil—often cut with cheaper oils, such as hazelnut and sunflower seed—was the most adulterated agricultural product in the European Union. The E.U.’s anti-fraud office established an olive-oil task force, “yet fraud remains a major international problem,” Mueller wrote. “Olive oil is far more valuable than most other vegetable oils, but it is costly and time-consuming to produce—and surprisingly easy to doctor.”

Nearly five years later, fraud remains a problem. Mueller has expanded the scope of his article’s research with his recent book “Extra Virginity: The Sublime and Scandalous World of Olive Oil,” which focusses on the contamination of olive oil not only by seed oils but by the misuse of the label “extra virgin” on olive oils that don’t meet that designation’s standards. Mueller recently took the time to answer questions on olive oil and the risks involved in its trade; an edited version of the exchange appears at newyorker.com.

Brooklyn’s Finest

If a seventy-fifth anniversary is honored with diamonds, how to mark the hundred and fiftieth? The Brooklyn Academy of Music’s answer: with a blog celebrating the ways in which the institution has shaped the art scene in Brooklyn and beyond since it was founded, in 1861. The blog, which has been in beta until this week, documents the building’s history (including photos of its original home on Montague Street, which was destroyed in a fire in 1903), its avant-garde performances, and its relationship with the borough at large. Read more at newyorker.com.

Pintsize Presidential

At the Political Scene, The New Yorkers new hub for campaign coverage, the magazine’s staff writers follow the day-to-day drama of the 2012 Presidential election. It’s educational, to be sure, but budding political junkies might want to start with a new app from Encyclopedia Britannica: “Britannica Kids: U.S. Presidents” nicely fills the knowledge void for those old enough to use an iPad, but too young to Google “Santorum.” The app, also available for iPhone, features profiles of all forty-four Presidents—which includes the sections “Vice President,” “First Lady,” “Birthday,” and “Fun Facts”—quizzes, and photos of the Oval Office and Camp David. Read more at newyorker.com…

The Write Stuff

Digital devices are usually used for consuming information, not creating it. But as apps evolve, that dynamic is shifting, and Phraseology, which was released for the iPad in late December, is one such example. The app bills itself as “part text editor, part word processor,” which means that the documents you type also are supported for markup and HTML-version previewing. An “inspect” view identifies your document’s words by parts of speech, shows you how often they occur, and can even tell you its meaning or propose alternative by synching with the dictionary/thesaurus app, Terminology. Read more at newyorker.com…

At Your Service

The British hit series “Downton Abbey,” as Nancy Franklin wrote in the April 18, 2011, issue, “is set in an enormous English country house, combines romance, suspense, and comedy, and has sumptuous production values and several juicy performances…. [It’s] a savory Sunday dinner of a series, an Anglophilic roast in a sea of Austenish manners-and-mores gravy, garnished with a fateful Dickensian twist that changes, or threatens to change, the fortunes of an entire family.” Hype? Hardly. Although the Emmy-winning smash returns to PBS on Sunday night for its second season, many impatient American fans already have gone online for a less-than-legal streaming fix (the season began airing in England months ago, though it has remained officially offline). There are other online destinations for devotees as well. Read more at newyorker.com…

Resolved

This year was a rough one. Morale went missing somewhere between the U.S. government’s near-default and Europe’s near-collapse, and, as 2011 comes to a close, the usual New Year’s resolutions seem a little frivolous. What’s needed is planning, action, and maybe even some austerity measures—which is why the Unstuck iPad app, offered for free, is a tempting download. Unstuck, a spinoff of the business-consultancy company SYPartners, gives you interactive tools and tips to find motivation, ask for help, cope with change, make decisions, and set goals, all while diagnosing the personality type that’s holding you back (“Perplexed Planner—How come what usually works isn’t working?”). Read more at newyorker.com…

Dream On

Last year, Adam Gopnik wrote about Vincent van Gogh and the mythology surrounding his severed ear, including the claim that it was Gauguin, not van Gogh, who made the infamous cut. This October, a book titled “Van Gogh: The Life,” by Steven Naifeh and Gregory White Smith, challenged the idea that van Gogh took his own life, as is widely believed, asserting that he was actually shot by a teen-ager. The time is ripe, then, for “Van Gogh’s Dream,” an iPad app supported, in part, by the Institut Van Gogh. It includes biographical information, an interactive catalogue of his paintings, explorations of his technique, scans of his letters (including the last one he wrote to his brother Theo), and video interviews with art experts and historians. Read more at newyorker.com…